Asylum centre, the party (4)
Lucas Dewaele, dagboek
Over fotografie en leven.
Category: Menen
August 30, 2014
The birth of an exhibition (11) : the fruits of labor.
Met dank aan Bieke Demeester, Els Coppens en de technici van De Spil – http://www.despil.be)
August 25, 2014
The birth of an exhibition (6).
(Considering my battlefield)
August 20, 2014
The birth of an exhibition (4).
(Designing the students wall of fame)
August 19, 2014
The birth of an exhibition (2).
(Banner of book abstracts, printed on canvas paper)
April 7, 2014
Perspectives (2). ©Flanders
From an interview with Frank Golhke :
‘Art critics say your photographs are meant to challenge the romantic naturalism of Ansel Adams.’
‘That’s a pretty fair statement. When I was coming of age as a photographer, Adams was the great figure in landscape photography. I admired his work, but I didn’t feel as though his vision of nature’s grandeur was something I could believe in. I was more interested in looking at urbanization and the seamless mix between the human world and the natural world.’
That’s a pretty fair statement. When I was coming of age as a photographer, Adams was the great figure in landscape photography. I admired his work, but I didn’t feel as though his vision of nature’s grandeur was something I could believe in. I was more interested in looking at urbanization and the seamless mix between the human world and the natural world.Read more: http://www.smithsonianmag.com/arts-culture/q-and-a-frank-gohlke-44232755/#ug7eWokYoVloU6Jd.99
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
Follow us: @SmithsonianMag on Twitter
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
Follow us: @SmithsonianMag on Twitter
Art critics say your photographs are meant to challenge the romantic naturalism of Ansel Adams.
That’s a pretty fair statement. When I was coming of age as a photographer, Adams was the great figure in landscape photography. I admired his work, but I didn’t feel as though his vision of nature’s grandeur was something I could believe in. I was more interested in looking at urbanization and the seamless mix between the human world and the natural world.Read more: http://www.smithsonianmag.com/arts-culture/q-and-a-frank-gohlke-44232755/#ug7eWokYoVloU6Jd.99
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
Follow us: @SmithsonianMag on Twitter
That’s a pretty fair statement. When I was coming of age as a photographer, Adams was the great figure in landscape photography. I admired his work, but I didn’t feel as though his vision of nature’s grandeur was something I could believe in. I was more interested in looking at urbanization and the seamless mix between the human world and the natural world.Read more: http://www.smithsonianmag.com/arts-culture/q-and-a-frank-gohlke-44232755/#ug7eWokYoVloU6Jd.99
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
Follow us: @SmithsonianMag on Twitter
March 1, 2014
On Flanders roofs.
(Forget about the fields; the roofs are nicer).
