Daily opportunities :
you see someone on the street, and essentially what you notice about them is the flaw.
Diane Arbus might have been right (and who am I to differ?) but not always. There was great beauty in some of the people you gathered here. Now are they “flawed” inside? Who knows? And for the photographer, who cares?
I suppose the ‘flaw’ consists of the relationships, the ‘views’, the hidden links between photographer and ‘model’. (But we have some local experts here, in art schools, to analyze this issue….:) )
(I’ll stick with Diane Arbus for the “executive summary”)
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