That’s really cool. Was the camera sitting on the ground? The DOF brings out the 5/4 of the signs, and the seated woman, while the train’s motion creates a horizontal blur to complement the soft blur of the foreground. It’s got a nice color scheme, and the elongated green rectangles of the train window lights add to it.
Thank you. A beautiful analysis. But I work largely without reason, according to a basic instinct, a feeling, the result of observation and action. Sometimes this results in beautiful images, sometimes in rough imagery. Reality and the way the camera deals with it remains fascinating. Even after more than 40 years of wandering around. And yes, in the absence of a tripod, the camera often lies on the ground or I tape it to the edge of a pole.
What an interesting perspective.
Due to lack of tripod and time…
That’s really cool. Was the camera sitting on the ground? The DOF brings out the 5/4 of the signs, and the seated woman, while the train’s motion creates a horizontal blur to complement the soft blur of the foreground. It’s got a nice color scheme, and the elongated green rectangles of the train window lights add to it.
Thank you. A beautiful analysis. But I work largely without reason, according to a basic instinct, a feeling, the result of observation and action. Sometimes this results in beautiful images, sometimes in rough imagery. Reality and the way the camera deals with it remains fascinating. Even after more than 40 years of wandering around. And yes, in the absence of a tripod, the camera often lies on the ground or I tape it to the edge of a pole.